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One of the standouts of the fabulous Brovia 2013s is the Barolo; that is, the Barolo Classico; the ‘straight’ Barolo; the Barolo Normale (a term that producers don’t care for). In the classic manner, Brovia’s Barolo is a blend of 5 sites, each of which brings its character and thus complexity to what is a particularly good bottle of wine. The development of single-vineyard bottlings in Piedmont has been hugely important for our appreciation and understanding of the individual vineyards, but we sometimes miss out because we are distracted by their prestige, while there are blended wines that are every bit as good – and in the case of this wine – better than most other producers top wines. This one is very fine, with great lift, lovely subtle fruit, and ripe tannins. It’s medium to full-bodied and showing quite rich; like the other 2013s it’s a wine for the cellar. Jamie Wolff
A consistently excellent wine — we've been lucky to get to taste this several times in the last few years. It needs a lot of time to breathe, and then it provides a classic example of fully mature Nebbiolo. Jamie Wolff
Ferdinando Principiano is part of the next generation in Barolo who are guaranteeing that our kids and grandkids are ensured a supply of brilliant wines (some of the others on my short list are the Brovia family, Mario Fontana, Giacomo Fenocchio, Elio Sandri, Fabio Alessandria at Burlotto, Gianni Canonica – not kids, but experienced wine makers in their prime). I’ve told the story before about how around 2008 Ferdinando completely changed course from making full-on modern style wine to full-on traditional wines, which is a courageous move under any circumstance, and one which is yielding beautiful wines. And beautiful vines: his vineyards are also gorgeous.The Barolo is a blend of fruit from Boscaretto, Baudana, and Leirano – all Serralunga vineyards. It’s very good indeed, harmonious and balanced, with lovely fruit, fine tannin, and surprisingly accessible (when tasted in May 2017). Jamie Wolff
Allowing for the fact that wine is a very subjective experience, I like to think that I call it as I see it. So I believe I’d know if it was a disaster, but otherwise I’m irrational and unreliable on the subject of G. Rinaldi. When I’m there, I wander around in a kind of stupor of infatuation with the wines. My penetrating notes (for 2013 Tre Tine, for example) say things like “super-great” [full stop]. I suppose if I have to have a wine crush, it might as well be on one of the best wineries in the world. Jamie WolffPS: Please don’t shoot the messenger. We don’t make the prices (neither, so far as I can tell, do the Rinaldis, because the wines leave the cellar at very reasonable prices). We’re well into the world of luxury goods here, and all I can do is sigh and make puppy dog eyes at the bottles while they’re in the shop. I do think it’s an objective fact that these are great wines and even if it’s a gratuitous comparison, they are the superior of many far more expensive wines.
Last May we tried a ton of Dolcetto in the company of two distinguished tasters who kept saying they didn’t like Dolcetto, which tends to put a damper on the experience. Sandri’s, however, made them sit up and take notice, so I give them credit for staying alert and flexible enough to change their minds. It’s bracingly juicy with wild brambly fruit that’s balanced with savoury herbs and chalky stone. Medium-bodied, very lively and lifted, it’s long and complete. I happen to like Dolcetto, but if they were all half as good as this one I might say I love it. Jamie Wolff